Spring 2021: Library Events and Online Displays

I would like to encourage everyone who watches this to watch the rest of this series of short plays.

10by10 is a project developed and produced by Eclipse Theatre - Britain's leading black-led national touring company.

10 writers. 10 cities. 10 films.

Meet Gee: late 20s; body to die for. Join Gee in her Nottingham apartment as she tells us what's really on her mind.

*Contains strong language and scenes of a sexual nature.

construct, the final project by the late Australian choreographer Tanja Liedtke is a tongue-in-cheek look at the act of making performance and the connection to building a home, a relationship and a life. In a charged theatrical setting, 3 highly-skilled dancers depict a strange love triangle with simple props, sound by DJ TR!P and breakneck movement. After performing with DV8 in the UK and Australian Dance Theatre, the 29-year-old Liedtke was appointed the coveted position of artistic director of the Sydney Dance Company in 2007 before her death later that year.

Orphaned Jane journeys from a harsh childhood to become the loving caregiver of a child at the mysterious manor of Mr. Rochester. Jane is drawn to her enigmatic employer, but as dark secrets emerge, she must choose between her newfound security and the uncertainty of a life lived for oneself.

Writer/director Tina Satter draws on Chekhov’s letters, translations, and perverse sense of comedy to consider anew the darkness, beauty, and history of Chekhov’s iconic play The Seagull and its resonances with her Half Straddle ensemble. Seagull (Thinking of you) is a personal look at performance, failure, and attempted love — ultimately an unexpected meditation on why we ever try to say something out loud. With a Russian folk metal-influenced score.

Playwright and director Young Jean Lee and a cast of 5 African-American performers create an unsettling terrain of well-trodden stereotypes that dare audiences to laugh as they consider their own preconceptions about race and culture. One of the leading and most provocative voices in American contemporary theater, Lee pushes herself to new artistic heights as she confronts her fear about creating an ethnic identity play through the lens of a “black identity politics show.”